\n\n**AGUS Architektur&Gestaltung**\nSonnhalde 41\n9050 Appenzell\n\n079 368 60 35\ninfo@guggerai.ch\nwww.agus-arch.ch","**Change is the true reason to build**\n\n**AGUS** is an interdisciplinary architectural practice based in Appenzell. We understand architecture as a continuous, transformative process that goes beyond the mere structural shell. For us, architecture is always in dialog with its surroundings and the people who use it. We see change as an opportunity to rethink existing structures, functions and relationships. Through our involvement in the artistic and cultural landscape, we continuously question and sharpen our point of view and deepen our understanding of the region.\n\nWe rely on close collaboration with our clients. This is the only way we can truly understand how a space should develop over time and what requirements it must meet both now and in the future.\n\nWhether new construction, conversion of existing structures or the creation of flexible spaces for new uses - we develop concepts that are tailored to the specific needs and cultural context. Our focus is always on functionality and sustainability, so that the architecture remains relevant and vibrant not only today, but also tomorrow.\nFor us, transformation is not only visible on the outside, but must be deeply anchored in the way we think and design spaces. This creates buildings and spaces that not only tell their story, but also offer the potential for the future.\n**Do you have an idea or a project that you would like to realize?** We are curious to find out more and look forward to working with you to create something unique. Contact us - we look forward to the exchange!\n\n**AGUS Architektur&Gestaltung**\nSonnhalde 41\n9050 Appenzell\n\n079 368 60 35\ninfo@guggerai.ch\nwww.agus-arch.ch","kleio:record_f988582b-96d4-44f2-9c21-c750e606f279",{"@id":256,"@score":258,"@type":246,"kleio:cover_asset":259,"kleio:default":6,"kleio:record_owner":63,"kleio:type_tags":260,"kleio:user_record_id":262,"kleioapi:in_set":263,"kleioapi:in_space":267,"kleioapi:is_actor":6,"kleioapi:owner_default_space__label":66,"kleioapi:owner_default_space__label__de":66,"kleioapi:owner_default_space__label__en":66,"kleioapi:public":6,"rdfs:label":268,"rdfs:label__de":268,"rdfs:label__en":269,"schema:description":270,"schema:description__de":270,"schema:description__en":271,"schema:title":268,"schema:title__de":268,"schema:title__en":269,"threems:relatesTo":246},10.023379,"kleio:asset_82bbf479-a3de-4656-9097-ad893fec19d7",[261],"kleio:tag_type_work",25,[264,38,40,265,266],"kleio:set_efdb92dd-e282-4084-8d31-ad64b8a56496","kleio:set_5e031454-f6cc-4e2d-a1e5-23270afed5b2","kleio:set_f0d6394f-62b0-40b5-b048-82b600a26b94",[25],"„Der Kanal, der Garten und die Stadt“","“The Canal, the Garden and the City”","Frühling 2022\n\nDie Thesis befasst sich mit der zukünftigen Rolle von Gewässerräumen in der Stadt Kyoto und ist ein Beitrag zum Forschungsprojekt Culture of Water der HSLU und dem KIT.\nWasser war und ist ein wichtiges Thema für die Stadt. Der Talkessel, in dem Kyoto liegt, sammelt das Wasser der umliegenden Hügel. Für wirtschaftliche wie kulturelle Nutzungen sind schon früh Kanäle angelegt worden. Diese haben in der Zeit der Industrialisierung und wegen der latenten Gefahr vor Überschwemmungen grosse Teile ihrer Funktion eingebüsst. Doch in Zeiten von grossen klimatischen Herausforderungen bekommen natürliche wie künstliche Gewässer vermehrt Aufmerksamkeit in Stadträumen. Mit diesem neuen Hintergrund ist es notwendig, über die zukünftigen Funktionen des Wassers in urbanen Gebieten nachzudenken.\nÜber verschiedene thematische Ansätze wird ein eigenes Verständnis der Rolle des Wassers in der Stadt erarbeitet. Sowohl auf landschaftlicher, klimatischer und sozialer Ebene wird durch Kartierungen, Collagen und Analyseplänen die Stadt im Bezug auf das Wasser untersucht. Der Entwurfsprozess wird so aus verschiedenen Blickwinkeln fortlaufend überprüft und ergänzt, um auf diese Weise ein möglichst vielschichtiges Verständnis der vorgefundenen Situation auf unterschiedlichen Massstäben zu gewinnen. Die Intention dabei ist, einen zukünftigen Umgang mit den Gewässern zu erarbeiten, der auf vielen Schichten anknüpft und dadurch besser auf die Gegebenheiten vor Ort eingehen kann.\nDas untersuchte Gebiet ist ein Abschnitt des Nishitakase-Flusses. Die Analyse des Ortes hat gezeigt, dass Freiflächen zumeist von Parkplätzen belegt sind und eine Raumressource bilden, die ein hohes Potential zur Umnutzung zeigen. Durch die in dieser Arbeit entwickelten Typologien werden diese belegten Räume frei und der Aufwertung der Gewässer zugeführt. Dabei ist der Kerngedanke, dass ein kleiner, präziser Eingriff eine weitreichende Wirkung haben und als Katalysator für grössere Prozesse verstanden werden kann.\nLinks zum Projekt:\nhttps://www.baudokumentation.ch/projekt/der-kanal-der-garten-und-die-stadt-nutzungstrategien-zum-umgang-mit-lokalen-raumressourcen-in-kyoto/943594?q=florian%20gugger&pos=1\nhttps://www.espazium.ch/de/aktuelles/sia-masterpreis-architektur-2022-anerkennungen\n","Spring 2022\n\nThe thesis deals with the future role of water spaces in the city of Kyoto and is a contribution to the research project Culture of Water of the HSLU and the KIT.\nWater was and is an important topic for the city. The basin in which Kyoto lies collects water from the surrounding hills. Canals were built early on for economic and cultural purposes. These lost much of their function during the period of industrialization and due to the latent danger of flooding. However, in times of major climatic challenges, both natural and artificial bodies of water are receiving increased attention in urban spaces. Against this new background, it is necessary to think about the future functions of water in urban areas.\nVarious thematic approaches will be used to develop an understanding of the role of water in the city. Mapping, collages and analysis plans will be used to examine the city in relation to water on a landscape, climatic and social level. The design process will thus be continuously reviewed and supplemented from various perspectives in order to gain as complex an understanding as possible of the existing situation at different scales. The intention is to develop a future approach to the waters that is based on many layers and can therefore better respond to the local conditions.\nThe area under investigation is a section of the Nishitakase River. The analysis of the site has shown that open spaces are mostly occupied by parking lots and form a spatial resource with a high potential for conversion. The typologies developed in this project will free up these occupied spaces and make them available for upgrading the waterways. The core idea is that a small, precise intervention can have a far-reaching effect and be understood as a catalyst for larger processes.\nLinks to the project:\nhttps://www.baudokumentation.ch/projekt/der-kanal-der-garten-und-die-stadt-nutzungstrategien-zum-umgang-mit-lokalen-raumressourcen-in-kyoto/943594?q=florian%20gugger&pos=1\nhttps://www.espazium.ch/de/aktuelles/sia-masterpreis-architektur-2022-anerkennungen","kleio:record_8506cb28-2f5a-4c35-b261-eccb3ea6fdeb",{"@id":272,"@score":217,"@type":246,"kleio:cover_asset":274,"kleio:default":6,"kleio:record_owner":63,"kleio:type_tags":275,"kleio:user_record_id":276,"kleioapi:in_set":277,"kleioapi:in_space":278,"kleioapi:is_actor":6,"kleioapi:owner_default_space__label":66,"kleioapi:owner_default_space__label__de":66,"kleioapi:owner_default_space__label__en":66,"kleioapi:public":6,"rdfs:label":279,"rdfs:label__de":279,"threems:relatesTo":246,"threems:searchVia_index":65},"kleio:asset_aa924d79-c205-4cb2-95db-2f6948b45b3a",[261],24,[41,38],[25],"Gedächtnispalast","kleio:record_68ae981d-dc5c-4114-91a0-1adc8a4297a6",{"@id":280,"@score":217,"@type":246,"kleio:cover_asset":282,"kleio:default":6,"kleio:record_owner":63,"kleio:type_tags":283,"kleio:user_record_id":284,"kleioapi:in_set":285,"kleioapi:in_space":286,"kleioapi:is_actor":6,"kleioapi:main_date__date":287,"kleioapi:main_date__date__lower":288,"kleioapi:main_date__date__upper":289,"kleioapi:owner_default_space__label":66,"kleioapi:owner_default_space__label__de":66,"kleioapi:owner_default_space__label__en":66,"kleioapi:public":6,"rdfs:label":290,"rdfs:label__de":291,"rdfs:label__en":290,"schema:description":292,"schema:description__de":293,"schema:description__en":292,"schema:title":290,"schema:title__de":291,"schema:title__en":290,"threems:relatesTo":246,"threems:searchVia_index":217},"kleio:asset_1e50d621-16e8-4068-8a1c-2560fa05fdd3",[261],15,[38,41],[25],"2016-06","2016-06-01","2016-06-30","Imprint of time","Abdruck der Zeit","It was the last exhibition in the art space of Teiggi on the area of the old pasta factory in Kriens. The work takes a look on all the years the house existed. The traces of the time and usage where taken of the wall and are digitized. The result is a pictorial representation of the not more existent wall to reveal thus the tracks of the time of an object.","Es war die letzte Ausstellung im Kunstraum Teiggi auf dem Areal der alten Teigwarenfabrik in Kriens. Die Arbeit nimmt die Geschichte und die Zeit, welche das Haus überdauert hat auf. Es wird ein Abdruck einer Wand genommen, d.h. dessen Ablagerungen werden digitalisiert. Das Resultat ist ein schon fast bildhafte Darstellung der Wand, ein Totentuch eines vergangenen Hauses.","kleio:record_976c2301-5675-4757-9a3b-c7568b1d90c3",{"@id":294,"@score":217,"@type":246,"kleio:cover_asset":296,"kleio:default":6,"kleio:record_owner":63,"kleio:type_tags":297,"kleio:user_record_id":298,"kleioapi:in_set":299,"kleioapi:in_space":300,"kleioapi:is_actor":6,"kleioapi:main_date__date":301,"kleioapi:main_date__date__lower":302,"kleioapi:main_date__date__upper":303,"kleioapi:owner_default_space__label":66,"kleioapi:owner_default_space__label__de":66,"kleioapi:owner_default_space__label__en":66,"kleioapi:public":6,"rdfs:label":304,"rdfs:label__de":305,"rdfs:label__en":304,"schema:description":306,"schema:description__de":307,"schema:description__en":306,"threems:relatesTo":246,"threems:searchVia_index":225},"kleio:asset_7b7face4-cb50-492f-a7f1-1103da74a92f",[261],18,[41,38],[25],"2021-07","2021-07-01","2021-07-31","Where hidden flowers bloom","Wo versteckte Blumen wachsen","The Hidden Flowers exhibition was a collaboration between the Appenzell collective Streunender Hund and various Scottish artists who grew up or work on the Shetland Islands. The core theme of the exhibition is the experience of the rural. What influence it has on artistic creation, both atmospherically and structurally. Both places, the Shetlands and the Appenzellerland, have a strong connection to the landscape. The basis of the present work is a series of six pictures of the Alpstein mountains, which show moments of dissolution. Mountain slopes plunging into the mist. The moon reflected in the mirror-smooth lake. The chairlift in the autumn mist. This feeling of in-between spaces also defines the feeling of the rural for me. As a person, strongly perceived by the village community, but less connected in the wider radius. Through digital collaging, four new images have been created that reinforce the feeling of dissolution and each has its own atmosphere, which can also be found in the countryside. The black night, which shows only shemen of the surroundings. Shimmering blue valleys and narrow paths. The green of the Alps. The blazing red of the alpenglow.","Die Ausstellung Hidden Flowers war eine Kollaboration des Appenzeller Kollektivs Streunender Hund und verschiedenen schottischen Künstlern, die auf den Shetland Inseln aufgewachsen oder tätig sind. Das Kernthema der Ausstellung ist die Erfahrung des Ländlichen. Was für einen Einfluss es hat auf das künstlerische Schaffen, Atmosphärisch wie auch Strukturell. Beide Orte, die Shetlands und das Appenzellerland, haben einen starken Bezug zu der Landschaft.\nDie Grundlage der vorliegenden Arbeit bilded eine Bilderreihe von sechs Bildern vom Alpsteingebirge, die Momente der Auflösung zeigen. Berghänge, die in den Nebel eintauchen. Der Mond, der sich im Spiegelglatten See spiegelt. Der Sessellift im Herbstnebel. Dieses Gefühl der Zwischenräumen definiert für mich auch das Gefühl des Ländlichen. Als Person stark Wahrgenommen von der Dorfgemeinschaft, aber im weiteren Radius weniger vernetzt.\nDurch digitales Collagieren sind vier neue Bilder entstanden, die das Gefühl der Auflösung noch verstärken und jedes eine sich eigene Atmosphäre inne hat, die auch auf dem Land zu finden sind. Die schwarze Nacht, die nur Shemen der Umgebung zeigt. Blauschimmernde Täler und enge Pfade. Das Grün der Alpen. Das lodernde Rot des Alpenglühens.\n","kleio:record_9331fbac-b038-4941-8002-5675f029cea1",{"@id":308,"@score":217,"@type":246,"kleio:cover_asset":310,"kleio:default":6,"kleio:record_owner":63,"kleio:type_tags":311,"kleio:user_record_id":312,"kleioapi:in_set":313,"kleioapi:in_space":314,"kleioapi:is_actor":6,"kleioapi:owner_default_space__label":66,"kleioapi:owner_default_space__label__de":66,"kleioapi:owner_default_space__label__en":66,"kleioapi:public":6,"rdfs:label":315,"rdfs:label__de":316,"rdfs:label__en":315,"threems:relatesTo":246,"threems:searchVia_index":205},"kleio:asset_caa2a175-8eae-43bf-b2ca-473e380605f8",[261],22,[41,38],[25],"Landscapes","Landschaften","kleio:record_0bc4890e-8558-4e37-a232-c737a2d16b18",{"@id":317,"@score":217,"@type":246,"kleio:cover_asset":319,"kleio:default":6,"kleio:record_owner":63,"kleio:type_tags":320,"kleio:user_record_id":321,"kleioapi:in_set":322,"kleioapi:in_space":323,"kleioapi:is_actor":6,"kleioapi:owner_default_space__label":66,"kleioapi:owner_default_space__label__de":66,"kleioapi:owner_default_space__label__en":66,"kleioapi:public":6,"rdfs:label":324,"rdfs:label__de":325,"rdfs:label__en":324,"threems:relatesTo":246,"threems:searchVia_index":216},"kleio:asset_51423447-bc50-4384-857d-bd40bf65deb0",[261],21,[41,38],[25],"Postcards #2","Postkarten #2","kleio:record_2050e416-0a5e-49dd-8779-51191f57efed",{"@id":326,"@score":217,"@type":246,"kleio:cover_asset":328,"kleio:default":6,"kleio:record_owner":63,"kleio:type_tags":329,"kleio:user_record_id":330,"kleioapi:in_set":331,"kleioapi:in_space":332,"kleioapi:is_actor":6,"kleioapi:owner_default_space__label":66,"kleioapi:owner_default_space__label__de":66,"kleioapi:owner_default_space__label__en":66,"kleioapi:public":6,"rdfs:label":333,"rdfs:label__de":334,"rdfs:label__en":333,"threems:relatesTo":246,"threems:searchVia_index":335},"kleio:asset_9a885231-a100-492c-87c8-349aa7e7f59e",[261],20,[41,38],[25],"Postcards #1","Postkarten #1",5,"kleio:record_497df9d4-8c38-4c3d-8b41-0381cab102f0",{"@id":336,"@score":217,"@type":246,"kleio:cover_asset":338,"kleio:default":6,"kleio:record_owner":63,"kleio:type_tags":339,"kleio:user_record_id":340,"kleioapi:in_set":341,"kleioapi:in_space":342,"kleioapi:is_actor":6,"kleioapi:main_date__date":343,"kleioapi:main_date__date__lower":344,"kleioapi:main_date__date__upper":345,"kleioapi:owner_default_space__label":66,"kleioapi:owner_default_space__label__de":66,"kleioapi:owner_default_space__label__en":66,"kleioapi:public":6,"rdfs:label":346,"rdfs:label__de":347,"rdfs:label__en":346,"schema:description":348,"schema:description__de":349,"schema:description__en":348,"threems:relatesTo":246,"threems:searchVia_index":233},"kleio:asset_d76fbef7-eee9-484e-98d7-c97255597061",[261],17,[41,38],[25],"2019-02","2019-02-01","2019-02-28","Polished Aluminiumplates in Farmhouse","Polierte Aluminiumplatten in Bauernhaus","The new collective‘s first exhibition will take place in an old Appenzell farmhouse. The aim of the collective is to take the discourse on art and culture from the city to the countryside. At the first exhibition, the artists and guest artists will create a fantastic room through interventions, which is intended to encourage discovery and discussion. We, i.e. my guest Lars Rumpel and I, approached the theme of fantasy through the old building substance.\nThe chamber system of the floor plan, caused by the traditional knitted construction, only allows for wide, open and flowing spaces to a limited extent. We wanted to go beyond these limits in a substantial framework. We see a farmhouse like this not only materially, but also immaterially as a collection of craftsmanship. With the aim of adding a new one to these skills to these skills, we hand polished reflective aluminium surfaces, which were embedded in the formats of the wood panelling to strengthen the dialogue with the house. In addition, the imperfection of the metal panels to fit in with the house, which is always a little warped. The new material not only expands the range of different craftsmanship of the house, but also the sense of space.","Die erste Ausstellung des neuen Kollektivs findet in einem alten Appenzeller Bauernhaus statt. Ziel des Kollektivs ist es, den Diskurs um Kunst und Kultur von der Stadt aufs Land zu tragen. Bei der ersten Ausstellung bilden die Künstler und Gastkünstler durch Interventionen ein Phantastisches Zimmer, welches zum Entdecken und Diskutieren anregen soll.\nWir, das heisst mein Gast Lars Rumpel und Ich, haben uns dem Thema Phantastik über die alte Bausubstanz genähert. Das durch den traditionellen Strickbau bedingte Kammernsystem des Grundrisses lässt Weite, offene und fliessende Räume nur bedingt zu. Wir wollten diese Grenzen in einem gehaltvollen Rahmen sprengen. Wir betrachten ein solches Bauernhaus nicht nur Materiell, sondern auch immateriell als eine Ansammlung von handwerklichen Fertigkeiten. Mit dem Ziel, diesen Fertigkeiten eine neue hinzuzufügen, polierten wir in Handarbeit spiegelnde Flächen aus Aluminium, welche in die Formate der Holztäfelung eingelassen wurden, um so den Dialog mit dem Haus zu stärken. Zudem passen sich die Metallplatten durch ihre Imperfektion dem immer etwas windschiefen Haus an. Das neue Material erweitert nicht nur die Palette von verschiedenen Handwerkskünsten des Hauses, sondern auch das Raumgefühl.","kleio:record_bbf7de80-2f0e-4828-b3a6-99c70abfb4c5",{"@id":350,"@score":217,"@type":246,"kleio:cover_asset":352,"kleio:default":6,"kleio:record_owner":63,"kleio:type_tags":353,"kleio:user_record_id":240,"kleioapi:in_set":354,"kleioapi:in_space":355,"kleioapi:is_actor":6,"kleioapi:owner_default_space__label":66,"kleioapi:owner_default_space__label__de":66,"kleioapi:owner_default_space__label__en":66,"kleioapi:public":6,"rdfs:label":356,"rdfs:label__de":356,"threems:relatesTo":246,"threems:searchVia_index":357},"kleio:asset_f7f21cca-5c52-4d1b-8926-0eb0d0750112",[261],[41,38],[25],"Position - Last Transi",7,"kleio:record_9c769503-db70-4a57-b5a3-e5b3aaef5d67",{"@id":358,"@score":217,"@type":246,"kleio:cover_asset":360,"kleio:default":6,"kleio:record_owner":63,"kleio:type_tags":361,"kleio:user_record_id":362,"kleioapi:in_set":363,"kleioapi:in_space":364,"kleioapi:is_actor":6,"kleioapi:main_date__date":365,"kleioapi:main_date__date__lower":366,"kleioapi:main_date__date__upper":367,"kleioapi:owner_default_space__label":66,"kleioapi:owner_default_space__label__de":66,"kleioapi:owner_default_space__label__en":66,"kleioapi:public":6,"rdfs:label":368,"rdfs:label__de":368,"rdfs:label__en":368,"schema:description":369,"schema:description__de":370,"schema:description__en":369,"schema:title":368,"schema:title__de":368,"schema:title__en":368,"threems:relatesTo":246,"threems:searchVia_index":371},"kleio:asset_d116572c-17aa-4e44-a08d-ae002fddfb03",[261],16,[41,38],[25],"2017-06","2017-06-01","2017-06-30","„O wie Wahrnehmung“","Dearrival was a group exhibition of young people with different backgrounds and relations to the art. Non-arrival showed the thematic guide of the event. The work tries to pick out as a central theme the relation or the individual perception of reality. The reality and the perception of our visual sense are not always congruent. The visual perception is the most used in modern times and easy to be deceptive.","Dearrival war eine Gruppenausstellung von jungen Menschen mit unterschiedlichen Hintergründen und Beziehungen zur Kunst. Non-arrival zeigte den thematischen Leitfaden der Veranstaltung. Die Arbeiten versuchen, das Verhältnis oder die individuelle Wahrnehmung der Realität zu thematisieren. Die Realität und die Wahrnehmung unseres Sehsinns sind nicht immer deckungsgleich. Die visuelle Wahrnehmung ist die am meisten genutzte in der heutigen Zeit und kann leicht trügerisch sein.",8,"kleio:record_956a104e-ecd6-4f97-8581-b8eec86908a4",{"@id":372,"@score":217,"@type":246,"kleio:cover_asset":374,"kleio:default":6,"kleio:record_owner":63,"kleio:type_tags":375,"kleio:user_record_id":376,"kleioapi:in_set":377,"kleioapi:in_space":378,"kleioapi:is_actor":6,"kleioapi:owner_default_space__label":66,"kleioapi:owner_default_space__label__de":66,"kleioapi:owner_default_space__label__en":66,"kleioapi:public":6,"rdfs:label":379,"rdfs:label__de":379,"threems:relatesTo":246,"threems:searchVia_index":380},"kleio:asset_d58c0be1-b9a1-43d8-9d02-4b95392f4c26",[261],23,[41,38],[25],"Negativ Aussicht 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